Welp…2020 is upon us and it’s about time to get some content out for the new year…
First and foremost, I’d like to extend a hearty thank you to all of the folks that have followed this blog through its many machinations over the years. Folks that know me, know that I take the documentation of our culture pretty seriously; There are a LOT of legendary folks that have been at the forefront of telling OUR story in this medium, so the opportunity to keep on doing so in that tradition is pretty important to me. As long as there’s an audience for my little corner of HBCU Bandom, this blog will stay pumping out narratives for the culture.
Now, let’s get down to business…LOL
The Honda BOTB (aka ‘Da Honda’ or ‘The Bandhead Turn-up’) is back for 2020 and I’m pretty excited to see it. Of course, we gotta have some stuff to talk about for the remaining two weeks leading up to the festivities, so I decided to kick off the new year with a series of moments in HBCU bandom that I’ve coined, Legendary Forgotten 5th’s.
Yeah…That means Drumline amongst other things…smh LOL
At any rate, Morris Brown had a pretty impressive regional following at the time, and the match-up was on their turf at venerable Herndon Stadium. If you weren’t from the DMV or associated with the MEAC, you really didn’t have too much exposure to Showtime on a consistent basis. This was the scenario going into this match-up and BOTH bands put on a show. In a 5th quarter that lasted the better part of 45 minutes, Showtime wowed a substantial crowd on Morris Brown’s home turf with a diverse repertoire and an intensity that belied their actual size. Of course, who actually won that 5th depends on who you ask…In my honest assessment, Showtime was splitting wigs and creasing hairlines with their sound. Morris Brown wasn’t anybody’s slouch, but the diversity in repertoires made the difference in a match-up that was about as even as you’re gonna see in these circles.
Since this match-up went down, both Morris Brown and Showtime have seen better days, with Morris Brown suffering through the tragedy of accreditation and financial woes that resulted in the shelving of their program. the good news is that visibility for the craft is at it’s highest in a LONG time. Morris Brown has gotten to the end of the tunnel financially and there’s the real possibility that we’ll see and hear “The Brown Sound” re-born and re-claiming their rightful place among every other band program in the culture a lot sooner than later.
I, for one, am looking forward to the day where BOTH of these programs are flourishing.
Until the next entry…
#PreserveTheHistory
#ProtectTheCraft
#VFTS

